{"id":1082,"date":"2024-02-05T17:52:20","date_gmt":"2024-02-05T16:52:20","guid":{"rendered":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/?p=1082"},"modified":"2024-02-05T17:53:19","modified_gmt":"2024-02-05T16:53:19","slug":"la-zone-dinteret-de-jonathan-glazer-2024","status":"publish","type":"post","link":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/2024\/02\/05\/la-zone-dinteret-de-jonathan-glazer-2024\/","title":{"rendered":"La zone d&rsquo;int\u00e9r\u00eat, de Jonathan Glazer (2024)"},"content":{"rendered":"\n<p style=\"text-align: justify;\">La sortie au cin\u00e9ma du film de Jonathan Glazer, Prix sp\u00e9cial du Jury lors de la derni\u00e8re \u00e9dition de festival de Cannes, est l&rsquo;occasion de se demander s&rsquo;il est possible de repr\u00e9senter la Shoah dans une oeuvre de fiction. Le d\u00e9bat est ancien, d\u00e9but\u00e9 notamment par la critique de Jacques Rivette sur le film <em>Kapo<\/em> (1959) de Gilles Pontecorvo, avant de conna\u00eetre un vif regain avec la virulente tribune de Claude Lanzmann \u00e0 l&rsquo;occasion de la sortie de <em>la Liste de Schindler<\/em> de Steven Spielberg (1993).\u00a0\u00a0<\/p>\n<p style=\"text-align: justify;\">Sylvie Lindeperg, historienne, sp\u00e9cialiste de la Seconde Guerre mondiale et de l\u2019histoire du cin\u00e9ma, Ophir L\u00e9vy,\u00a0 ma\u00eetre de conf\u00e9rences en \u00c9tudes cin\u00e9matographiques et Micha\u00ebl Prazan, \u00e9crivain, r\u00e9alisateur et documentariste \u00e9changent sur le rapport entre cin\u00e9ma et Shoah tout en diss\u00e9quant le dispositif visuel et sonore d\u00e9velopp\u00e9 par Jonathan Glazer pour reconstituer la vie quotidienne du commandant d\u2019Auschwitz-Birkenau et de sa famille dans leur maison cossue, jouxtant le camp de concentration.\u00a0<\/p>\n<p>Un d\u00e9bat \u00e0 retrouver<a href=\"https:\/\/www.radiofrance.fr\/franceculture\/podcasts\/signes-des-temps\/est-il-possible-de-representer-la-shoah-du-cinema-de-claude-lanzmann-au-film-de-jonathan-glazer-6753541\"> ici.<\/a>\u00a0<\/p>\n<p style=\"text-align: center;\"><a href=\"_wp_link_placeholder\" data-wplink-edit=\"true\"><img decoding=\"async\" class=\"alignnone  wp-image-1085\" src=\"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-content\/uploads\/2024\/02\/13819-800x900-1-267x300.jpg\" alt=\"\" width=\"318\" height=\"357\" srcset=\"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-content\/uploads\/2024\/02\/13819-800x900-1-267x300.jpg 267w, https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-content\/uploads\/2024\/02\/13819-800x900-1.jpg 800w\" sizes=\"(max-width: 318px) 100vw, 318px\" \/><\/a><\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La sortie au cin\u00e9ma du film de Jonathan Glazer, Prix sp\u00e9cial du Jury lors de la derni\u00e8re \u00e9dition de festival de Cannes, est l&rsquo;occasion de se demander s&rsquo;il est possible &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/2024\/02\/05\/la-zone-dinteret-de-jonathan-glazer-2024\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;La zone d&rsquo;int\u00e9r\u00eat, de Jonathan Glazer (2024)&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":0,"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","footnotes":""},"categories":[237,24],"tags":[247,103,248,80,246],"class_list":["post-1082","post","type-post","status-publish","format-standard","hentry","category-emulsion-culturelle","category-genocides","tag-cinema","tag-genocide","tag-representations","tag-shoah","tag-zone-dinteret"],"_links":{"self":[{"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/posts\/1082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/comments?post=1082"}],"version-history":[{"count":1,"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/posts\/1082\/revisions"}],"predecessor-version":[{"id":1086,"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/posts\/1082\/revisions\/1086"}],"wp:attachment":[{"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/media?parent=1082"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/categories?post=1082"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/coursdedesinfox.blog.ac-lyon.fr\/wordpress\/wp-json\/wp\/v2\/tags?post=1082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}